Occupation: Girl

Please close the door and switch on the fun without fail.

Previous Entry Share Next Entry
Why I *can't* read your script
msauvage purple
cleolinda
Okay, since I think I was waxing a bit verbose about this on a site meant for 140-character messages:

What happened was, A History of Violence screenwriter Josh Olson informed the internets that He Will Not Read Your Fucking Script.

Cole Abaius thought this made him a bit of an asshole, although more for the tone than the sentiment.

John Scalzi weighed in (more calmly) and agreed, although he mostly focused on the "Writers have no obligations to strangers" and "I do not owe you my time" and "I do not need to piss off people I know by asking for favors for every single stranger who approaches me" aspects.

And then David Gerrold brought up my own worst fear. See, I don't think people realize the legal jeopardy other people's unpublished work puts a working writer in. Three words for you: Marion Zimmer Bradley (fifth paragraph under "Literary Career"). If you read someone's unpublished work and you then write anything that's the least bit similar, that person could sue you for copyright infringement (i.e., plagiarism). The problem is, there are certain things, certain similarities, that are going to occur in any two works on the same subject, and the established writer may have no way of proving they did not copy. They might be able to defend themselves in court and win, if they can argue that there are more differences than similarities, or that the similarities are not strong enough, but they still have to go to court and pay those legal fees and waste that time.

Here's both sides of that, from my own experience: Read more...Collapse )

One other thing, I think the level of paranoia that is clearly becoming necessary is kind of sad. It reminds of when George Harrison was sued over My Sweet Lord and found guilty of subconsciously plagiarizing. Pattie wrote in her book that after that he wouldn't allow music in the house because he was so afraid of "subconsciously plagiarizing" again. That's really sad when you have to cocoon yourself, when really, there are few original ideas or chord progressions, it's all in what you do with them. Same goes with authors.

The MZB thing is kind of sad because I think it was awesome for her to be so generous with her world and encouraging fanfic writers, only to be bitten by it. Meh.

Oh, wow. That is crazy sad.

For my part, I tend not to read parodies related to something I want to write about, but that's because other people's lines get stuck in my head and I can't think of anything else and then I can't finish. It's not because I'm afraid of subconsciously copying--it's because I do recognize that it's not mine and then I can't get past it. So a lot of times, I'll put off reading something related until I'm done with my own thing. Someone once complained that I was really depriving myself or something, but they were also trying to get me to read and link to their own thing at the time, so: grain of salt.

I had fun with parallel creation just in my character names. If it is pronounceable odds are it already exists as a real word somewhere on the planet just because there is fix limit on how many phonetic sounds human beings can make and combine. But it did creep me out when I found my invented name was a real one and being used by others in similar character concepts elsewhere. It was just so Jungian.

I found Olson's article angry but justifiably so. I know a lot of people talk about how that anger raises people's defensive hackles to the point that they're not hearing, but, sadly, the worst offenders will continue to not hear. If the people who are able to engage their brains on the subject hear that anger, maybe it will encourage that brain-engaging step. Also, just as much as he doesn't have any obligation to read anyone's script, he doesn't have an obligation to be gracious and polite about repeated unreasonable demands where he constantly comes off as the bad guy even if he is gracious and polite. No, it's not kind of him, but I think it's also unreasonable to expect that. As you well put it, the unkindness has already been done to him. Maybe it's not exactly golden rule to respond less than politely, but again: he's not under any obligation to do so. Sometimes it seems necessary to be harsh and abrasive, in order to shake off the eager clinger-ons who want to hitch a ride to stardom and have no concept of personal hard work or personal space.

I remember the MZB issue from the way it rocked through the fandoms. In its wake, there were authors with heavily locked-down fan club activities, demanding release forms to be sent to the author with every zine submission in order to absolve the author of blame if suspiciously-similar elements appeared in their later works. It sucks. But was what they did to protect themselves. And it's even harder to do it now with the internet, when it's that much easier to stumble into fanworks without anticipating it.

Another great reason writers don't read fanfiction or work sent to them is the simple fact that like it or not, things stick in your mind. Years later when they might write upon a topic, something they read from someone else might pop into their minds and truly believing they came up with it on their own, only to sinkingly realize that it was something they read of someone else's years ago.

That is what publishing houses are for people. You want to be a published writer then send your work to them--why should you have any "free rides" when the rest (most) of us have to send it in the 'old fashioned way'??!

Most people only really get once they've been scammed, sadly, but a really common piece of legal advice out there is that you do NOT hand out your creative work without having copyrighted it first. Along with tut-tutting in sync with everyone else's comments, part of me is a little bit horrified that so many people wanting to enter the artistic MARKET don't even think about protecting their assets before delving into this world. Honestly, there's naivete and there's... stupidity. The arts aren't a happy-go-lucky summer camp, people, they've a gut-ripping world where you need to protect yourself--WTH?

Of course some people just really want a pat on the back or, scarily, an excuse to sue a successful artist, and I won't even go into that, but for all those who just really want to make it in the business (personally, I have nothing against the 1st-time-lucky fantasy. We don't usually hear about the rejection nightmare artists face before their big break--we've heard about the big break itself, and what's wrong with dreaming of getting there without the soul-shrivelling rejections, really...? Being rejected is hard, after all. Inescapable, but hard, and I don't have a problem with fantasising of an easier road--up until the point where you start thinking you're entitled to one, that is), but people. People. If you want your work to be seen/read/heard so very much, protect it before bandying it about. Handing out scripts/etc. is all well and good when you're a teen writing to the X-Files team, who'll unwittingly protect you in the process of protecting themselves, but beyond that... it's just careless, dangerous and unprofessional, and it's not going to open you any doors. UGH.

[/RANT]

... also, please stop sending fanfic to pro writers. Us occasional fic-penners are in grey, potentially litigious territory as it is without people actually drawing the attention of the bigwigs' lawyers to our leisure time escapades.

I don't understand why one would ask a writer to read their work. Why not ask a publisher or agent instead? I would ask a writer for references towards editors and the like but I have no desire to let them read my work.

I guess not everyone thinks like that, though.

Oh holy God. I just had a flashback in the ladies' room.

I've just realized that one of the reasons I don't draw much anymore is that there's always somebody who, when the find out you have any sort of rudimentary drawing skill, becomes convinced that you are the perfect person to do the full-color paintings for the ten-sentence children's picture book they've always felt they could write. Or, if in fandom, their parody of a children's picture book, which is invariably (a) not funny, and (b) based on a book you wouldn't touch with a bargepole, and (c) in a fandom you fucking hate. Often as not, they have never seen your work.

There was also the fella who asked me out because, it turned out, he was an aspiring novelist, so obviously we were perfect for each other and would live in a little cottage somewhere with me illustrating his literary visions, probably in the style of Thomas Kincaide. He was night manager of a McDonald's, and did not know how a photocopier worked or where books come from.

Him: What do I do? Do I just send my notebook to the publisher at the address on the inside of their books?
Me: O_O

Re: Oh holy God. I just had a flashback in the ladies' room.

Hah, know the feeling.

I've met so many people who when they discover I draw in a cartoony style start telling me about their original manga, comic, or even once a video game idea that I will totally fall in love with and want to draw.

I typically handle it by either ignoring them or taking them seriously and start talking how much per panel or page I'd charge for it.

One of the most interesting things about his piece, to me, was his description of the guys reaction to his carefully considered critique.

Ain't it the truth? People don't want to be told the truth. They want positive reinforcement. In which case, ask your mother or whoever is your obsequeious family member/friend. Don't ask a professional for his professional opinion if you're not prepared to hear it.

Well, and that's a major reason I don't want to give a critique to someone I don't know. If it's someone I know and care about, I'm willing to put in as much long-term critique effort as they want or need. And generally I would know them well enough to know how to phrase it, or what kind of critique helps them. Whereas with a stranger, it's like--most of the time, even just by the way they ask, you can tell they don't really want your opinion. They want to be validated.

I really enjoyed this - gives writing an entirely new perspective as a reader.

But I HAVE to know - which X-files episode was it??

I had never thought of the danger of reading fan fiction. I had always thought Robin Hobb was a little overly zealous in her hatred of fan fiction, but thinking about it, I can see why she bans it. I have always thought that if I ever managed to get that much success, I would have no problem with fanfic (though probably wouldn't read it) and I don't like the idea of trying to stop people writing, but I also wouldn't want to be sued...

If you read someone's unpublished work and you then write anything that's the least bit similar, that person could sue you for copyright infringement (i.e., plagiarism)

I realize that this is totally tangential to your point, but this sentence really sounds like you're conflating copyright infringement and plagiarism, which isn't always the case. You can infringe copyright without plagiarizing [sending a copy of an ebook that you don't own the rights to, to a friend, without claiming that you wrote it], and you can plagiarize without infringing copyright [using the words of a piece of writing that is no longer covered by copyright or never was].

You can do them at the same time -- in the case of someone stealing and publishing a previously-unplublished manuscript with their own name on it, for example -- but even then, the words describe two distinct things that can happen within the same action.

I know--I've explained the differences/overlap many times; that was sloppy of me. In this discussion, it overlaps, and I didn't specify that the overlap is not automatic.

Disclaimer: The following is NOT intended to spark a Twilight debate. I'm just using an example. End of story.

Well, whether or not you like Twilight, Stephenie Meyer had a similar train of thought a few years ago when she read Alphie's fic for the first time. She enjoyed the first few chapters, but informed her that she could no longer read them. Why? Because Alphie was writing a story based off of Twilight from Edward's POV, and where Stephenie quit reading would have been where she stopped writing as well. Had she continued to read, and then published Midnight Sun, there could have been a good chance Alphie COULD have sued her had similarities popped up. And the were bound to.

It's just an extremely sticky situation, no matter which way you go about it. As a writer, I'm paranoid as all HELL to read other pieces of work. Even if I've already written things, if a similarity pops up, I feel bound to change it.

Edited at 2009-09-16 10:39 pm (UTC)

These articles were actually oddly comforting. I'm not the only crazy people magnet when it comes to reading people's babies, life goals, dreams, etc. While it's not an option for the authors above, I just stopped telling people I'm a writer.

Peter David is quite loud about the fact that he doesn't and can't read fans' stories. I would hope that an established reputation of being well-known to be a person who does not engage in that practice would help if a lawsuit ever were to come forth.

Oh, and, I just finished reading a book that I really enjoyed but it didn't have a satisfying ending (The Red Queen's Daughter). I am okay with that if there is a sequel, and today I went to look at the author's website, hoping - and she's actually having a contest for people to write a synopsis of a plot after the book. (!!!)

So... I'm guessing she is NOT planning a sequel, because she's just asking for a whole helluva lot of legal trouble. Which makes the book ... incredibly disappointing. :(

I feel like (justifiably, in a way) there's a lot of ire in these articles and comments toward "those litigious few" who would bring suit on the basis of a "stolen" idea when, as Ecclesiastes makes clear, there's nothing new under the sun, and it's *probably* a coincidence or a stupid mistake.

As someone standing in the lawyer's shoes, it is, unfortunately, easy to see why and how these suits happen. Partially, it's because, unfortunately, everyone needs to think about the "cover your own ass first" principle in their chosen profession. And when you're stopping to be considerate, or have a hard time turning people away, that's hard to do.

It's amazing, when I really stop to think that I paid in excess of $100K for my education, spent 20 years straight in school, took the time to sit for the bar exam, etc etc, and yet people (and people who are certainly smart enough to know better if they stopped to think about it) ROUTINELY ask me for legal advice as a personal favor. Ask any new law student and they'll tell you stories about how every friend and acquaintance under the sun feels that the appropriate response to "I got into law school X" is "good! I need someone to draft my will" (particularly humorous when it's a close family member who can't understand why it would be a conflict of interest for you to do this)or "great - I'll call you next time I get a ticket."

I mean, honestly, every profession has this problem. But lawyers, like writers, have very specific dangers they face if they just give you "their opinion." Hell, that's why we HAVE malpractice insurance. And since there's no malpractice insurance for authors, I have to agree with Cleo when she says that it's the writers who have to be vigilant, even at the risk of being rude. And if newbies get some education along the way, it's really for the best.

I asked my great-aunt (a surgeon) once what she did when people hit her up for medical advice. She said last time someone did it, it was to ask about hemorrhoids in the middle of the street — she put her groceries down on the pavement and told him to take off his pants and bend over. Apparently, that got rid of him fairly quickly.

I don't get it. I mean, I can see asking family and very close friends to use their expertise (and I have both asked and given), but just to walk up to a stranger or an acquaintance? Just because economics calls it "demand," doesn't mean you have the right to actually demand it.

and on a completely unrelated subject

Finally got around to listining to Poufwa podcast today(yes, I'm not spelling it right - my mental spell check doesn't work at the best of times, much less when I've only had 3 hours sleep) during a long car trip....very funny! Good SLoD insights.

And now I know - if this podcast was any indication - I will never be able to write anything as funny as you women must write in your fanfic (a world of writing completely unknown to me) - and now I know so much more about both Australia and Arkansas (and then Alabama? aliteration much?).

Wow. People are still doing that, huh? Legal implications aside, it's hugely presumptuous to try to badger professionals into doing shit for you. I may have imagined doing something like that when I was, oh, about fourteen, but definitely not now, and definitely not to the writers I admire most. I do have some folks on my list of people to send bound, first edition copies of my novel after it's published (a list that includes you, Cleo, by the way) but before that? Hell no.

This is why I cringe whenever I hear about fans bringing up fanfic at cons or giving fic to actors. Please, people, have some sense, if not for yourselves then for the benefit of the rest of us who would like to not be sued into oblivion over our hobby.


I know a lot of people got mad at Olson for the tone of his piece, but I found it hilarious and so, so true. the exaggeration for comedic effect seemed to be lost on a lot of the commenters. And those comments! WTF! Doing a favour for your BFF or a family member is very different than doing it for a complete stranger. And sending a piece of work to your most favouritest author ever is a terrible idea.
It seems like they can either send it back unread, for which you might hate them; send it back read and critiqued, for which you probably will hate them; or send back a note saying it was wonderful, thank you, for which they're not helping you the least little bit.

As other people here have mentioned, writers' classes and workshops are fantastic places to go to get advice and learn your craft. Writing for competitions and sending in articles to magazines that accept unsolicited stuff both work well to see what editors like and to get a bit of recognition for yourself. Expecting an agent with a five-book deal to swoop down after your article in the local indy magazine is where I know a lot of people feel let down. :P

Part of the reason I haven't felt able to write anything recently is because I've been reading. I read a lot of both adult and YA fantasy and sci-fi, the genre I prefer to write for, and I know I'm not going to be able to come up with any usable ideas until I go back to non-fiction and purge a lot of those plots and characters from my mind.
It doesn't always work well. Even my username was taken from a book I read months before I adopted it, and it wasn't until I did a re-read a year later that I realised where the name came from. at which point I facepalmed and nearly broke my wrist.

Oh well. Something I thought maybe you and others might find interesting is seananmcguire's 50 Thoughts on Writing, a series of blog posts she's been writing. Her first book has been out for a couple of weeks, and she's got three others in the process of being published, so I figure it's a good, down-to-earth set of articles for those just getting started.

That is an excellent list - I'm adding that to my memories. Thanks for sharing!

Amen, Cleo. I'm really glad you wrote this, I'll definitely use it as a reference for myself and all my friends who write.

I totally understand this. I mean, though I've never told anyone about it (for fear of sounding like a big wank) I actually came up with the idea for the McKay-Carter Galactic Bridge in Stargate Atlantis about a year before it was even mentioned in the show.

Did I tell anyone? No.

In fact, this is the first time I've ever mentioned it. Do I think they stole my idea? Of course not. Well, unless they're telepathic and read it in my mind (in which case we probably have more to worry about than a stolen script idea). Still, coincidences like this happen and writers need to cover their arses because people will sue them.

I follow a lot of (novel) author blogs in which writers lament that they can't read people's fanfiction or story ideas because of this exact problem. I imagine it's probably a big deal in the publishing world.

David Gerrold brings up his example of how he realized after the show aired that 'Trouble with Tribbles' (his first big sell), had some similarities in plotline to Robert Heinlein's juvenile fiction 'Family Stone' flatcat subplot. The good part was he actually spoke to Heinlein about it and the both laughed over it.

Moreover, a writer refusing to read an unpublished work that you have already sent him unsolicited is not an unkindness. It is a response to an unkindness you have already done to him.

THIS.

Also, have you seen this marvelous parody? Harlan Ellison's dramatic reading of a Seussified version of Josh Olson's "I Will Not Read Your Fucking Script."

Josh Olsen is being a jerk. There's a difference between "I will not read your script" and "I will not read your fucking script." Yes, almost everyone's heard the word before, but it's still a deliberate offense.

And if the person doesn't know that they're putting someone in legal danger, then it's not a dick move. There are better ways to educate people.

Years ago, just after Gargoyles went down, Greg Weisman answered a whole bunch of his fans' questions. He had a very good response to the fanfiction issue.

It went something like, "I don't want to read it because I want no doubt in my mind or anyone else's where I'm getting my ideas. What if you tell me something that I've thought of on my own but haven't used? What if you tell me something that I would have thought of on my own?" It didn't feel disrespectful but it made his wishes clear.



Edited at 2009-09-17 06:06 pm (UTC)

But, in my opinion, it's rude and disrespectful to ask someone you barely know to work for free. It's borderline asking it of people close to you, depending one the circumstance. For example--my brother in law wrote some music for a project of my husband's back in college. They were both cool with it. I'm working on a project for family, as a gift, right now. But if some random aunt at a family reunion asks me to design her a poster for free and expects me to be grateful for the "good experience" it'll give me, no way. The reason he won't read anyone's "fucking" script is because he's fucking had it. I mean, he went out of his way to do this guy a favor, gave him what he thought was a tough but thoughtful opinion--GAVE him his experience. And then the dude tells a mutual friend he was a dick? That would certainly make me HULK SMASH. It was probably the last straw.

A friend of mine posted this on his journal after an unfortunate encounter with his twi-hard ex girlfriend. I thought it was pretty entertaining.

?

Log in